When bodies no longer experience the scene as a physical situation, we make room for imaginary choreography. We write the movement using sound, we are in action through our voices, the thought becomes visual language, the word becomes our choreographic platform. 
𝙋𝙚𝙧𝙛𝙤𝙧𝙢𝙞𝙣𝙜 (𝙣𝙤𝙣) 𝙥𝙪𝙗𝙡𝙞𝙘 𝙨𝙥𝙖𝙘𝙚 suggests the approach of a new paradigm of choreographic art, involving professionals in the field of contemporary dance in a creative conversation with the public and with artists working with sound, text and technology, in a process of rediscovering the potential of performing arts.
On November 10 from 15:00, on the account, a dialogue with artists Roel Heremans (Belgium), Jasmina Al-Qaisi (Romania / Germany) and Mária Júdová (Slovakia), has taken place, in which there had been presented their current personal practices, in relation to the space and environments of public expression. The dialogue was moderated by 𝘼𝙣𝙙𝙧𝙚𝙚𝙖 𝘾𝙖̆𝙥𝙞𝙩𝙖̆𝙣𝙚𝙨𝙘𝙪, artistic director of 4Culture Association and initiator of the project.
𝙍𝙤𝙚𝙡 𝙃𝙚𝙧𝙚𝙢𝙖𝙣𝙨 is a conceptual artist working with sound & technology. In most of his works he composes fragments of audio that trigger the imagination of visitors in order to create immersive group experiences. As a result, the visitors simultaneously become actors, witnesses, performers and reenactors of mental and physical processes of thought and movement, where collective performances encounter individual reactions and vice versa. By activating people in this way, Heremans generates a simulation of the contemporary world, one in which every individual is part of their own self-mirroring bubble, one in which the visitor, with their experience, remains the artist’s only metaphorical canvas.
𝙅𝙖𝙨𝙢𝙞𝙣𝙖 𝘼𝙡-𝙌𝙖𝙞𝙨𝙞 is a writer for voice and paper. She appears sometimes in other forms: as a walking scientist, the schnelle musikalische Hilfe service, or as the only agent for the Self-Entitled-Self-Entitlement-Office. She often makes waves on various radios and is a member of the sound interested artist group Research and Waves.
𝙈𝙖́𝙧𝙞𝙖 𝙅𝙪́𝙙𝙤𝙫𝙖́ is a visual artist from Slovakia who probes the boundaries of the artistic potential of technology. Her work spans a wide variety of techniques from interactive installations to audio-visual performances.
Project co-financed by the Capital City Hall through ARCUB within the Bucharest – Open City 2021 Program.
The content of this material does not necessarily represent the official position of the Bucharest City Hall or ARCUB
Media partners: Radio România Cultural, Modernism, Revista Arta, Zeppelin, Feeder, IQads, România Pozitivă.