{"id":2250,"date":"2025-10-22T08:02:44","date_gmt":"2025-10-22T08:02:44","guid":{"rendered":"https:\/\/4culture.ro\/?p=2250"},"modified":"2025-10-22T08:02:45","modified_gmt":"2025-10-22T08:02:45","slug":"kata","status":"publish","type":"post","link":"https:\/\/4culture.ro\/en\/kata\/","title":{"rendered":"KATA"},"content":{"rendered":"<p>Kata, arta luptei solitare din karate, ordoneaz\u0103 mi\u0219c\u0103ri codificate \u00eempotriva unor adversari imaginari. Dou\u0103zeci \u0219i \u0219ase de serii de mi\u0219c\u0103ri, asemenea literelor unui alfabet. Explor\u00e2nd semnifica\u021biile sale formale \u0219i simbolice, Anna Chirescu creeaz\u0103 un solo modelat de ideile de transmitere, imagina\u021bie \u0219i memorie. \u00centr-o \u00eencercare de a cartografia cuvintele \u0219i istoria personal\u0103, ea evoc\u0103 modul \u00een care tat\u0103l s\u0103u a fugit din Rom\u00e2nia comunist\u0103 \u00een 1980 prin intermediul artelor mar\u021biale. Prin dans, voce, text \u0219i costum, artista \u00ee\u0219i exploreaz\u0103 originile \u0219i d\u0103 form\u0103 unui nou folclor. La grani\u021ba unui trecut necunoscut, la r\u0103scrucea mai multor frontiere geografice, KATA ofer\u0103 \u00eenceputul unui r\u0103spuns la \u00eentrebarea: Cum suntem afecta\u021bi de o istorie pe care nu am tr\u0103it-o?<\/p>\n\n\n\n<p><br \/><br>Coregrafie \u0219i interpretare: Anna Chirescu<br>Colaborare artistic\u0103 \u0219i dramaturgic\u0103: Fran\u00e7ois Maurisse<br>Compozi\u021bie muzical\u0103: Gr\u00e9gory Joubert<br>Interpretare muzical\u0103: Paul Lajus<br>Design costume: Darius Dolatyari-Dolatdoust, asistent Paul Escamez<br>Design lumini: Fanny Lacour<br>Asistent coregrafic: Elodie Escarmelle<br>Consilier vocal: Violaine Lochu<br>Privire exterioar\u0103: Tom\u00e9o Verg\u00e8s, Gr\u00e9goire Schaller<br>Intern: Saya Bringuier<br>Produc\u021bie \u0219i dezvoltare: Elissa Kollyris<br>Arhiv\u0103 video: Nicolae Gothard Bialokur<\/p>\n\n\n\n<p>Coproduc\u021bie:<br>Cie\/Trans \u2013 Nice; L\u2019\u00e9toile du nord, scen\u0103 na\u021bional\u0103 de dans \u0219i scriitur\u0103 contemporan\u0103 (Paris); La Maison Danse \u2013 CDCN Uz\u00e8s; Les Rencontres chor\u00e9graphiques internationales de Seine-Saint-Denis; Le Pacifique \u2013 CDCN Grenoble; CCN de Cr\u00e9teil Emka Val-de-Marne;<br>Cu sprijinul La Fabrique de la Danse (sprijin pentru reziden\u021b\u0103 \u2013 DRAC \u00cele-de-France); \u00cele-de-France Regional Council (sprijin pentru crea\u021bie); City of Paris (sprijin pentru reziden\u021b\u0103); The French Institute of Romania in Bucharest (IFRo); Cromot \u2013 house for artists and production; La Maison de la Musique Contemporaine; La Muse en Circuit;<br>Reziden\u021be artistice:<br>KLAP \u2013 Maison pour la danse, Marseille; CN D, Pantin; La Briqueterie \u2013 CDCN du Val-de-Marne; Le Carreau du Temple, Paris; La M\u00e9nagerie de Verre, Paris; T2G \u2013 CDN de Gennevilliers; CNDC Angers; Th\u00e9\u00e2tre Jean Vilar de Suresnes; La Chaufferie \u2013 Compagnie DCA; Le Pavillon de Romainville.<\/p>\n\n\n\n<p>Mul\u021bumiri:<br>Mihai Chirescu, Nicolae Bialokur, Roxana Heroiu, Irina Margareta Nistor, Florin Mostoflei, \u0218erban Derlogea, Ioana Alexandru, Dan Sp\u0103taru, Mircea Popescu, Nicoleta Teodorescu, Emil Chirescu, Cristian Laiber, Mih\u0103i\u021b\u0103 Deleanu, Seichin Dojo Bucharest, Salah Jaouani, KCM club of Montreuil, Quentin Morelot.<\/p>\n\n\n\n<p>Biografie<br>Anna Chirescu este dansatoare \u0219i coregraf\u0103 stabilit\u0103 la Paris. Format\u0103 la Conservatoire National Sup\u00e9rieur de Musique et de Danse de Paris (CNSMD) \u0219i la UC Irvine, a colaborat cu diver\u0219i coregrafi \u0219i a interpretat lucr\u0103ri din repertoriul lui Merce Cunningham, at\u00e2t \u00een Fran\u021ba, c\u00e2t \u0219i la nivel interna\u021bional. Este cofondatoare a companiei LAVA, al\u0103turi de artistul vizual Gr\u00e9goire Schaller. Practica lor se situeaz\u0103 la intersec\u021bia dintre dans \u0219i artele vizuale.<br>Crea\u021biile sale \u2013 inclusiv VACA (2022) \u0219i solo-ul KATA (2025) \u2013 investigheaz\u0103 modul \u00een care corpurile poart\u0103 memorie, istorie \u0219i ideologie. Ea pune sub semnul \u00eentreb\u0103rii obiectificarea corpului \u0219i tensiunea dintre intimitate \u0219i colectivitate. \u00cembin\u00e2nd dansul, vocea \u0219i artele vizuale, practica sa se inspir\u0103 adesea din arhive, mituri \u0219i discursuri contemporane.<br>Dezvolt\u0103 colabor\u0103ri artistice \u0219i lucreaz\u0103 constant cu arti\u0219ti din teatru, muzic\u0103 \u0219i arte vizuale, printre care Fran\u00e7ois Chaignaud, Th\u00e9o Mercier, Aur\u00e9lia Ivan sau Lorraine de Sagazan. \u00cen paralel, de\u021bine diplome de Master \u00een Literatur\u0103 modern\u0103 (Sorbonne Nouvelle \u2013 Paris III) \u0219i \u00een \u0218tiin\u021be umane (Sciences Po Paris) \u0219i conduce frecvent ateliere \u0219i masterclass-uri.<\/p>\n\n\n\n<p>Eveniment organizat cu sprijinul Teatroskop, Institutul Francez din Rom\u00e2nia, Asocia\u021bia 4Culture.<\/p>\n\n\n\n<p>Hosted by WASP Working Art Space and Production.<\/p>\n\n\n\n<p>Intrarea liber\u0103, \u00een limita locurilor disponibile.<br>Rezerv\u0103ri: contact@waspmagazine.com<\/p>","protected":false},"excerpt":{"rendered":"<p>Kata, arta luptei solitare din karate, ordoneaz\u0103 mi\u0219c\u0103ri codificate \u00eempotriva unor adversari<span class=\"excerpt-more\"><\/span><\/p>","protected":false},"author":1,"featured_media":2252,"comment_status":"open","ping_status":"closed","sticky":false,"template":"elementor_theme","format":"standard","meta":{"footnotes":""},"categories":[26,76],"tags":[31],"_links":{"self":[{"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/posts\/2250"}],"collection":[{"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/comments?post=2250"}],"version-history":[{"count":2,"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/posts\/2250\/revisions"}],"predecessor-version":[{"id":2253,"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/posts\/2250\/revisions\/2253"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/media\/2252"}],"wp:attachment":[{"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/media?parent=2250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/categories?post=2250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/tags?post=2250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}