{"id":2054,"date":"2023-10-16T08:56:10","date_gmt":"2023-10-16T08:56:10","guid":{"rendered":"https:\/\/4culture.ro\/?p=2054"},"modified":"2023-10-16T08:56:11","modified_gmt":"2023-10-16T08:56:11","slug":"interactive-toolbox-workshop-performance-dans-contemporan","status":"publish","type":"post","link":"https:\/\/4culture.ro\/en\/interactive-toolbox-workshop-performance-dans-contemporan\/","title":{"rendered":"Interactive ToolBox: Workshop | Performance &#038; Dans Contemporan"},"content":{"rendered":"<p>Asocia\u021bia 4 Culture prezint\u0103 \u00een perioada 16-21 octombrie 2023, proiectul <strong>Interactive Toolbox, <\/strong>un format interdisciplinar de performance \u0219i dans contemporan, ateliere \u0219i proiec\u021bii coregrafice, pe scena cinematografului Astra \u0219i \u00een cadrul Centrului Multicultural al Universit\u0103\u021bii Transilvania din Bra\u0219ov.<\/p>\n\n\n\n<p>Interactiv Toolbox propune publicului bra\u0219ovean instrumente \u0219i abord\u0103ri artistice prin care se urm\u0103re\u0219te redefinirea conexiunii dintre arti\u0219ti \u0219i public, dezvoltarea&nbsp; audien\u021bei locale pentru artele performative contemporane.<\/p>\n\n\n\n<p><strong>Program evenimente:<\/strong><\/p>\n\n\n\n<p>16, 17 octombrie, 19:00<\/p>\n\n\n\n<p>Cinematograful ASTRA<\/p>\n\n\n\n<p><strong>Digital Heaven<\/strong>, performance &amp; dans, multimedia<\/p>\n\n\n\n<p><em>Cristina Bodn\u0103rescu (concept, vizual, programare), Anamaria Guguian (coregrafie) \u0219i Oana B\u0103lu\u021b\u0103 (performance) sunet \u0219i muzic\u0103 de Ethics of Joy (Cristina Bodn\u0103rescu \u0219i George Urse).<\/em><\/p>\n\n\n\n<p>Spectacolul aduce \u00een prim-plan leg\u0103tura dintre corpul uman \u0219i reprezentarea sa \u00een mediul digital, subliniind dispari\u021bia grani\u021belor dintre fizic \u0219i simulacru. Artista \u0219i dublul s\u0103u digital exploreaz\u0103 noile forme de comunicare \u0219i expresie ap\u0103rute la convergen\u021ba celor dou\u0103 spa\u021bii. Corpul uman sufer\u0103 augment\u0103ri \u0219i transform\u0103ri fizice, vizibilizate prin proiec\u021biile mapate pe corp, iar dublul digital, ca o form\u0103 de inteligen\u021b\u0103 artificial\u0103, \u00eenva\u021b\u0103 \u0219i se dezvolt\u0103 pe baza modelului s\u0103u analog, p\u00e2n\u0103 c\u00e2nd reu\u0219e\u0219te s\u0103 capete propria con\u0219tiin\u021b\u0103. Prin intermediul dansului \u0219i tehnologiei, spectacolul exploreaz\u0103 posibilit\u0103\u021bile, provoc\u0103rile \u0219i perspectivele oferite de tehnologia digital\u0103 \u00een ceea ce prive\u0219te evolu\u021bia \u0219i transformarea corpului uman \u00eentr-o er\u0103 \u00een care frontierele dintre real \u0219i virtual se estompeaz\u0103.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>18 octombrie, 19:00<\/p>\n\n\n\n<p>Cinematograful ASTRA<\/p>\n\n\n\n<p><strong>ABYSS<\/strong> (proiec\u021bie urmat\u0103 de Q&amp;A)<\/p>\n\n\n\n<p><em>Matei Bejenaru (Artist), Andreea C\u0103pit\u0103nescu (produc\u0103tor)<\/em><\/p>\n\n\n\n<p>Filmul ABIS exploreaz\u0103 personalitatea carismatic\u0103 a lui Irinel Liciu, prim-solist\u0103 a baletului Operei Rom\u00e2ne din Bucuresti \u00een anii &#8217;50-&#8217;60. Filmat pe pelicul\u0103 \u0219i folosind materiale din Arhiva Na\u021bional\u0103 de Filme, Agen\u021bia de pres\u0103 Agerpress \u0219i arhiva Revistei Secolul 21, ABIS este un eseu despre condi\u021bia artistului \u0219i raporturile acestuia cu arta \u0219i via\u021ba sa \u00een perioada comunist\u0103, \u00eencerc\u00e2nd totodat\u0103, prin interviuri cu cei care au cunoscut-o pe Irinel Liciu, s\u0103 analizeze personalitatea sa enigmatic\u0103. Personalitate aparte, iubit\u0103 de public \u0219i apreciat\u0103 de unii lideri comuni\u0219ti rom\u00e2ni, Irinel Liciu a dus o existen\u021b\u0103 discret\u0103 dup\u0103 \u00eencetarea activit\u0103\u021bii artistice, rareori av\u00e2nd apari\u021bii publice. Timp de mai bine de patru decenii a fost so\u021bia poetului \u0218tefan Augustin Doina\u0219. \u00cen luna mai 2002, s-a sinucis \u00een apartamentul s\u0103u la c\u00e2teva ore dup\u0103 moartea so\u021bului ei. \u00cen epoc\u0103, evenimentul a fost consemnat \u00een pres\u0103, accentu\u00e2ndu-se \u00een special senza\u021bionalul dramei. Produs de Asocia\u021bia 4Culture, filmul ABIS a avut premiera \u00een Rom\u00e2nia la WASP Working Art Space and Production (Bucure\u0219ti), \u00een septembrie 2019, fiind ulterior prezentat \u00een cadrul Festivalului Europalia Rom\u00e2nia, la BOZAR Bruxelles, \u00een decembrie 2019 &#8211; ianuarie 2020, \u00een cadrul eXplore festival 2020, la Muzeul Na\u021bional al Literaturii Rom\u00e2ne \u00een Bucure\u0219ti,\u00a0 la Universitatea Na\u021bional\u0103 de Arte George Enescu din Ia\u0219i, \u00een 2022.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>19 octombrie, 19:00<\/p>\n\n\n\n<p>Cinematograful ASTRA<\/p>\n\n\n\n<p><strong>You Who Never Arrived<\/strong><em> <\/em>(proiec\u021bie urmat\u0103 de Q&amp;A)<\/p>\n\n\n\n<p><em>Judith State, Marius Olteanu, Luchian Ciobanu<\/em><\/p>\n\n\n\n<p>un film bazat pe \u201eScrisori c\u0103tre un t\u00e2n\u0103r poet\u201d de Rainer Maria Rilke<\/p>\n\n\n\n<p>Majoritatea experien\u021belor sunt de nespus; se \u00eent\u00e2mpl\u0103 \u00eentr-un spa\u021biu \u00een care niciun cuv\u00e2nt nu a intrat vreodat\u0103. \u0218i totu\u0219i, exist\u0103 cuvinte care leag\u0103 oamenii de-a lungul timpului \u0219i le modeleaz\u0103 via\u021ba pentru a avea o leg\u0103tur\u0103 inextricabil\u0103. C\u0103l\u0103toria a trei b\u0103rba\u021bi, par\u021bial dans \u00een necunoscut, par\u021bial c\u0103utarea sensului.<\/p>\n\n\n\n<p>\u201cYOU WHO NEVER ARRIVED este mai mult dec\u00e2t o declara\u021bie de umanitate, mai mult dec\u00e2t o pledoarie pentru poezie, pentru latura noastr\u0103 cea mai sensibil\u0103, cea mai intim\u0103. A vorbi despre cum ne este \u00een dragoste, a vorbi despre nevoia de a nu fi singuri acum, c\u00e2nd pandemia ne-a restric\u021bionat foarte mult rela\u021biile, din toate punctele de vedere. S\u0103 vorbe\u0219ti despre atingeri \u0219i \u00eembr\u0103\u021bi\u0219\u0103ri \u00een vremuri ca acestea, c\u00e2nd am ajuns s\u0103 ne salut\u0103m formal, prin atingeri de coate, ce \u00eendr\u0103zneal\u0103!\u201d (Nona Rapotan, Bookhub, 2021)<\/p>\n\n\n\n<p>\u201eOlteanu p\u0103trunde \u00een p\u0103dure ca \u00eentr-un spa\u021biu performativ, folosindu-se de valoarea sa meditativ\u0103 de mediu al reconect\u0103rii cu natura, sinele, cu corpul propriu. \u00cen acest mod, natura uman\u0103 intr\u0103 \u00een simbioz\u0103 cu texturile copacilor, unde valoarea poetic\u0103 a imaginii poten\u021beaz\u0103 (ne)lini\u0219tile l\u0103untrice ale personajelor. Imaginea nu ilustreaz\u0103 doar textul umanist din off, ci uneori doar creeaz\u0103 contextul exprim\u0103rii sale, concentr\u00e2ndu-se astfel pe experien\u021ba audio-vizual\u0103. Ca \u00een orice p\u0103dure pustiit\u0103, sonoritatea cuv\u00e2ntului apas\u0103 mai tare \u0219i provoac\u0103 un zumzet, at\u00e2t \u00een exterior, c\u00e2t \u0219i \u00een corp.\u201d (Daria Barbu)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>20 octombrie, 19:00<\/p>\n\n\n\n<p>Centrul Multicultural al Universit\u0103\u021bii Transilvania din Bra\u0219ov<\/p>\n\n\n\n<p><strong>Intimate Choreographies &#8211; Sound Toolbox<\/strong><\/p>\n\n\n\n<p><em>Artiste: Elena Vl\u0103d\u0103reanu, Judith State, Flavia Giurgiu<\/em><\/p>\n\n\n\n<p><em>Concept \u0219i direc\u021bie artistic\u0103: Andreea C\u0103pit\u0103nescu<\/em><\/p>\n\n\n\n<p>Intimate Choreographies porne\u0219te de la ideea c\u0103 spa\u021biul de supraveghere poate genera, de fapt, o intimitate emo\u021bional\u0103 profund\u0103, care odat\u0103 transpus\u0103 \u00een cadrul instala\u021biei, submineaz\u0103 structura de putere deta\u0219at\u0103 \u0219i neuniform\u0103 a tehnologiei. Arti\u0219tii reprezenta\u021biei, Judith State, Flavia Giurgiu \u0219i Elena Vl\u0103d\u0103reanu, vor ghida participan\u021bii c\u0103tre ac\u021biuni coregrafice comune, integr\u00e2nd totodat\u0103 momente de reflec\u021bie individual\u0103 experimentate simultan, prin fragmente poetice redactate \u0219i recitate de echipa artistic\u0103, al\u0103turi de un poem al artistului Anton Ovchinnikov &#8211; tradus de Raluca R\u0103dulescu. Construc\u021bia coregrafic\u0103 \u0219i dramaturgic\u0103 presupune un sistem audio individual (c\u0103\u0219ti) la care o s\u0103 aib\u0103 acces fiecare participant. Scopul acestei interven\u021bii performative este de a explora intimitatea \u00eentr-un spa\u021biu public, de a ne conecta la noi \u00een\u0219ine, c\u00e2t \u0219i la ceilal\u021bi, indiferent c\u0103 mediul citadin ne deviaz\u0103 de la conexiuni profunde \u0219i reale.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>21 octombrie, 19:00<\/p>\n\n\n\n<p>Centrul Multicultural al Universit\u0103\u021bii Transilvania din Bra\u0219ov<\/p>\n\n\n\n<p><strong>Performance Situation Room (<\/strong><em>interactive multimedia dance performance)<\/em><\/p>\n\n\n\n<p><em>Performer: Flavia Giurgiu<\/em><\/p>\n\n\n\n<p><em>Concept: Mara Nedelcu, visual artist: M\u0103lina Moncea<\/em><\/p>\n\n\n\n<p>C\u00e2nd din rutina noastr\u0103 dispar pe r\u00e2nd spa\u021biul social comun, spa\u021biul profesional public, spa\u021biul cultural viu, reunindu-se \u00eentr-un spa\u021biu privat unic, ce se \u00eent\u00e2mpl\u0103 cu percep\u021bia noastr\u0103 asupra timpului \u0219i mediului \u00eenconjur\u0103tor? Conceptul artistic imagineaz\u0103 o nou\u0103 posibil\u0103 rutin\u0103 zilnic\u0103 \u00een care sunt chestionate diferite niveluri ale realit\u0103\u021bii \u0219i imaginii \u00een rela\u021bie cu timpul. La convergen\u021ba dintre art\u0103 \u0219i tehnologie, spa\u021biul performativ \u00ee\u0219i dezvolt\u0103 noi dimensiuni virtuale accesibile publicului larg prin intermediul unei aplica\u021bii web interactive. Performerul \u0219i publicul\u00a0 \u00eempart acela\u0219i spa\u021biu virtual, explor\u00e2nd noi versiuni de existen\u021b\u0103 temporal\u0103.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Program workshop-uri la Centrul Multicultural al Universit\u0103\u021bii Transilvania, Bra\u0219ov \u0219i Liceul de Arte Plastice Hans Mattis-Teutsch<\/strong><strong><\/strong><\/p>\n\n\n\n<p>17, 18 octombrie &#8211; Alex Mirutziu<\/p>\n\n\n\n<p>19 octombrie &#8211; Judith State<\/p>\n\n\n\n<p>20, 21 octombrie &#8211; Cristina Bodn\u0103rescu \u0219i Oana B\u0103lu\u021b\u0103<\/p>\n\n\n\n<p><strong>Proiect finan\u021bat de Municipiul Bra\u0219ov.<\/strong><\/p>\n\n\n\n<p><strong>Parteneri strategici:<\/strong> Universitatea Transilvania din Bra\u0219ov,&nbsp; Centrul Multicultural al Universit\u0103\u021bii Transilvania din Bra\u0219ov, Liceul Voca\u021bional de Arte Plastice &#8222;Hans Mattis-Teutsch&#8221;, Re\u021beaua European\u0103 Life Long Burning.<\/p>\n\n\n\n<p><strong>Media Partners<\/strong> Radio Rom\u00e2nia Cultural, Modernism, Revista Zeppelin, Revista ARTA, Feeder, IQads, Rom\u00e2nia Pozitiv\u0103, Revista Golan, Empower Art&amp;Artists, Ziarul Metropolis, Happ.ro.<\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Asocia\u021bia 4 Culture prezint\u0103 \u00een perioada 16-21 octombrie 2023, proiectul Interactive Toolbox,<span class=\"excerpt-more\"><\/span><\/p>","protected":false},"author":1,"featured_media":2055,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15,27,20],"tags":[],"_links":{"self":[{"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/posts\/2054"}],"collection":[{"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/comments?post=2054"}],"version-history":[{"count":1,"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/posts\/2054\/revisions"}],"predecessor-version":[{"id":2056,"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/posts\/2054\/revisions\/2056"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/media\/2055"}],"wp:attachment":[{"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/media?parent=2054"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/categories?post=2054"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/tags?post=2054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}