{"id":2264,"date":"2025-11-10T12:58:08","date_gmt":"2025-11-10T12:58:08","guid":{"rendered":"https:\/\/4culture.ro\/?p=2264"},"modified":"2025-11-10T12:58:10","modified_gmt":"2025-11-10T12:58:10","slug":"strength-and-visibility-curating-women-artists-between-past-and-present","status":"publish","type":"post","link":"http:\/\/4culture.ro\/en\/strength-and-visibility-curating-women-artists-between-past-and-present\/","title":{"rendered":"Strength and Visibility: Curating Women Artists between Past and Present"},"content":{"rendered":"<p>Muzeul de Art\u0103 Bra\u0219ov \u0219i Asocia\u021bia 4Culture v\u0103 invit\u0103&nbsp;<strong>s\u00e2mb\u0103t\u0103, 15 noiembrie 2025, ora 17:00<\/strong>, la conferin\u021ba&nbsp;<strong>\u201eStrength and Visibility: Curating Women Artists between Past and Present\u201d<\/strong>, un dialog \u00eentre Andreea C\u0103pitanescu \u0219i Olivia Ni\u021bi\u0219.<\/p>\n\n\n\n<p><strong>Andreea C\u0103pit\u0103nescu<\/strong>&nbsp;este produc\u0103toare cultural\u0103, curatoare independent\u0103 \u0219i directoare artistic\u0103, activ\u0103 din 2005. Fondatoare a Asocia\u021biei 4Culture, ea a ini\u021biat eXplore Festival \u2013 primul festival de dans contemporan \u0219i performance din Rom\u00e2nia \u2013 \u0219i a creat spa\u021biul independent WASP \u2013 Working Art Space and Production din Bucure\u0219ti. Activitatea ei se desf\u0103\u0219oar\u0103 \u00een cadrul re\u021belelor \u0219i platformelor europene, prin programe care sus\u021bin crea\u021bia artistic\u0103 contemporan\u0103, colaborarea interna\u021bional\u0103, cercetarea artistic\u0103, educa\u021bia \u0219i sprijinirea arti\u0219tilor emergen\u021bi. De\u021bine un doctorat \u00een arte vizuale (UNARTE, 2024), un Master \u00een Project Management in English (SNSPA, 2022), un Master \u00een Regia Spectacolului Contemporan (UNATC, 2005\u20132006) \u0219i o licen\u021b\u0103 \u00een Coregrafie (UNATC, 2004). A fost bursier\u0103 danceWEB 2006 \u00een cadrul ImPulsTanz Viena. A curatoriat programul de arte performative al Europalia Rom\u00e2nia (Bruxelles, 2019\u20132020) \u0219i coordoneaz\u0103 proiecte precum Life Long Burning, Jardin d\u2019Europe, Emerging Towards (Future) \u0219i Exploring Plurealities.<\/p>\n\n\n\n<p><strong>Dr. Olivia Ni\u021bi\u0219<\/strong>&nbsp;(n.1979) este cercet\u0103toare la Institutul de Istoria Artei \u201cG. Oprescu\u201d al Academiei Rom\u00e2ne, coordonatoarea sectorului de Arte Vizuale \u0219i Arhitectur\u0103 \u2013 perioada Modern\u0103 \u0219i Contemporan\u0103, curatoare independent\u0103, istoric de art\u0103. Este vicepre\u0219edinta Asocia\u021biei Experimental Project, membr\u0103 a Asocia\u021biei Interna\u021bionale a Criticilor de Art\u0103 din 2009. Este interesat\u0103 de diferitele aspecte ale discursului de gen \u00een istoriografia artei rom\u00e2ne\u0219ti si in Europa de Est, cu contribu\u021bii legate de artiste \u0219i reprezentarea de gen \u00een arta modern\u0103 \u0219i contemporan\u0103, de rela\u021bia dintre art\u0103 \u0219i politic\u0103, de rela\u021bia dintre art\u0103 \u0219i \u0219tiin\u021b\u0103. Este autoare, editoare \u0219i co-editoare a mai multor articole \u0219i publica\u021bii de art\u0103 contemporan\u0103. Este autoarea volumului \u201eIstorii marginale ale artei feministe\u201d, Vellant, Bucure\u0219ti, 2014 \u0219i co-editoare a unui volum dedicat artistului conceptual Decebal Scriba (Kettler, Germania 2017). A fost co-curatoare (cu Martina Munivrana) a expozi\u021biei personale a artistei croate Sandra Sterle la Muzeul de Art\u0103 Contemporan\u0103 din Zagreb (MSU) \u00een 2023, iar 2024 a fost ini\u021biatoarea \u0219i curatoarea proiectului de art\u0103 conceptul\u0103 rom\u00e2no-ceh\u0103 A Spring of Hope a Winter of Despair (Faber, Timi\u0219oara \u0219i Pragovka, Praga).<\/p>\n\n\n\n<p>Evenimentul se \u00eenscrie \u00een demersul proiectului \u201e<strong>Muzeul virtual al artei sub comunism. Perspective asupra unui patrimoniu controversat\u201d<\/strong>, realizat de Muzeul de Art\u0103 Bra\u0219ov \u0219i co-finan\u021bat de Administra\u021bia Fondului Cultural Na\u021bional, care \u00ee\u0219i propune s\u0103 deschid\u0103 patrimoniul artistic al perioadei comuniste c\u0103tre interpret\u0103ri critice \u0219i actuale. \u00cen acest context, discu\u021bia aduce \u00een aten\u021bie prezen\u021ba \u0219i contribu\u021bia artistelor \u00een istoria artei rom\u00e2ne\u0219ti, analiz\u00e2nd felul \u00een care operele lor au fost colec\u021bionate, contextualizate \u0219i privite \u00een raport cu discursurile dominante ale epocii.<\/p>\n\n\n\n<p><em>Conferin\u021ba anticipeaz\u0103 deschiderea expozi\u021biei \u201eTower of Strength\u201d, care va fi inaugurat\u0103 la Muzeul de Art\u0103 Bra\u0219ov pe 5 decembrie 2025, \u0219i propune un dialog deschis \u00eentre istorie, cercetare \u0219i practic\u0103 artistic\u0103 actual\u0103, \u00een cadrul proiectului Compulser Lab ini\u021biat de Asocia\u021bia 4Culture \u0219i co-finan\u021bat de Administra\u021bia Fondului Cultural Na\u021bional.<\/em><\/p>\n\n\n\n<p>V\u0103 a\u0219tept\u0103m la Muzeul de Art\u0103 Bra\u0219ov s\u0103 continu\u0103m \u00eempreun\u0103 dialogul dintre memorie, art\u0103 \u0219i prezent.<\/p>\n\n\n\n<p>Discu\u021bia ofer\u0103 un cadru de reflec\u021bie despre vizibilitate, continuitate \u0219i pozi\u021bionare critic\u0103, aduc\u00e2nd \u00een prim-plan nevoia de a recupera \u0219i integra contribu\u021biile artistelor \u00een nara\u021biunea mai ampl\u0103 a artei rom\u00e2ne\u0219ti.<\/p>","protected":false},"excerpt":{"rendered":"<p>Muzeul de Art\u0103 Bra\u0219ov \u0219i Asocia\u021bia 4Culture v\u0103 invit\u0103&nbsp;s\u00e2mb\u0103t\u0103, 15 noiembrie 2025,<span class=\"excerpt-more\"><\/span><\/p>","protected":false},"author":1,"featured_media":2265,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/posts\/2264"}],"collection":[{"href":"http:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/comments?post=2264"}],"version-history":[{"count":1,"href":"http:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/posts\/2264\/revisions"}],"predecessor-version":[{"id":2266,"href":"http:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/posts\/2264\/revisions\/2266"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/media\/2265"}],"wp:attachment":[{"href":"http:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/media?parent=2264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/categories?post=2264"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/4culture.ro\/en\/wp-json\/wp\/v2\/tags?post=2264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}